Code breaker
Decoding the codes and conventions of written and spoken texts, eg:
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B |
D |
A |
| recognises the conventions of diaries and the strategies necessary
to decode and make meaning, eg the codings of symbolism and how to
recognise them |
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| identifies the codes and conventions of particular texts which helps
them to more explicitly reflect on their own reading strategies |
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Text user
Understanding the purposes of different written, spoken and visual
texts for different cultural and social functions, eg: |
B |
D |
A |
| identifies the various features of particular text structures or
genres, and how to meet the interpretive demands of these text types,
eg the various personal purposes of a diary, and the various social
purposes of publishing a private diary, or writing a novel in diary
form |
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| analyses text features of diaries or personal writing to scaffold
the creation of other texts in diary form, or with electronic means |
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| leads to transforming or transmediating such texts into different
forms |
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| recognises that inferences must be made, or ‘ghost’
chapters written, about the time between dates in diaries |
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Text participant
Comprehending written, spoken and visual texts, eg: |
B |
D |
A |
| uses prior knowledge to make meaning throughout reading, bringing
meaning forward to make predictions and monitor predictions |
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| sets purposes for reading, making reading a powerful act of inquiry
that can do ‘work’ |
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| makes simple and complex inferences based on simple and complex
implied relationships |
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| constructs subtextual, symbolic and implied meanings |
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| constructs a framework for meaning so that text becomes more coherent
and predictable |
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| constructs and understands characters and their evolving relationships |
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| builds background understanding on the concepts of family, relationships,
multiculturalism, cultural critique, the role of sport in culture,
etc |
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| builds interest in inquiry around the topics raised by the reading
and discussion of the reading |
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Text analyst
Understanding how texts position readers, viewers and listeners, eg: |
B |
D |
A |
| interprets characters and how readers are aligned for and against
certain characters |
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| considers whose perspective is presented and whose is not, and with
what effect |
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| considers how presentation and silencing of voices in a text contributes
to textual meaning |
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| understands the authorial vision/ theme/central focus being expressed
by the author through her textual construction, ie the diary, thereby
allowing the student to embrace, adapt or resist this vision |
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| understands and critiques how diaries present particular times,
and particular cultural and social understandings and situations |
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